THE Way Forward

winding-road-1556177_960_720(Author’s note- this article was written for the October edition of The Cross and Tower Newsletter for FUMC Winnfield)

For over 40 years now, the United Methodist Church has been in turmoil over homosexual marriage and ordination of homosexual clergy. In 2016, the General Conference, the worldwide meeting of the United Methodist Church, elected a group of 23 persons from a range of theological perspectives, called the Commission on a Way Forward, to help us (hopefully) reach a solution to this impasse. They have presented three options to a called session of General Conference will take place February 23-26, 2019 in St. Louis. You can access the entire 93 page report here: Commission on a Way Forward or a shorter 2 page infographic summary here: Overview of Proposals for 2019 General Conference. Other options and petitions could also be presented, discussed, and voted on at the General Conference meetings.

What will happen at General Conference? Will one of the plans be approved? Will the United Methodist Church split or dissolve altogether? I don’t know. I don’t think anyone else knows either.

But I do know the answer to the question is there a way forward. The answer is clearly YES! Actually, I know not only A way forward but THE way forward. THE way forward is to follow Jesus each and every day. THE way forward is to follow the one who said “I am the way the truth and the life” in John 14:6. THE way forward is to “fix our eyes on Jesus, the author and perfecter of our faith” in Hebrews 12:2. THE way forward is to follow Jesus.

THE way forward is to be faithful to our mission. Our mission is “to make disciples of Jesus Christ for the transformation of the world.” Our mission is to make a difference, to make disciples, in our community and around the world. We accomplish this through the many ministries and programs of our church- Sunday School, Sunday morning worship, Wondrous Wednesdays, acolytes, youth, Kids World, Helping Hands, Kairos, Chancel Choir and so many others. This is our mission. This is our task. Obviously, this mission falters or even fails without your support through the giving of your prayers, presence, gifts, service and witness. We cannot forsake our mission. Jesus is depending on us.

What will happen in February? I don’t know. But I do know that I plan to come to work on February 27. I do know that we will have Sunday morning worship on March 3. I do know that Jesus will still be Lord, working and moving in the world and in my life. I do know that our mission will still be the same- to make disciples of Jesus Christ for the transformation of the world.

I want to encourage you (and me) to not be distracted or in despair over the called session of General Conference and a way forward. Instead let us focus on THE way forward, following Jesus and being faithful to our mission to make disciples of Jesus Christ for the transformation of the world.

Following THE way forward,

Kevin

James and Ella Russell Window and Good Shepherd Window

(Author’s note: This is the manuscript for my message on August 12, 2018 at FUMC Winnfield and is the tenth in my “Windows to the Soul” sermon series expounding on the Christian symbolism present in our church buildings and sanctuary windows at FUMC Winnfield. My sources are listed at the end. Much of this information is from “FUMC Winnfield: Christian Symbolism and History” published in 2012. I decided to publish in case some were absent and would like to read my message.)

I. Introduction

Over the last weeks we have been looking at the reminders of God all around in the symbolism of our church building and stained glass windows.  Today we come to window number 9 in memory of James and Ella Russell and window number 10 in memory of Mr and Mrs N.M. Jackson.

II.  Body

A. Balcony Cross

IMG_2770Window Number Nine (in memory of James and Ella Russell) in the Balcony is divided by the cross, seen more distinctly from the outside of the church, is a contrast in its simplicity and carries out the arched theme seen throughout the sanctuary.

James G. Russell, Sr was born June 15, 1879 in Blanchard, Isabella County, Michigan.  He died Oct 11, 1967 (aged 88) in Winnfield.

His obituary reads: Jame G. Russell, Sr., 88, retired accountant of Winnfield, died at 11:35 p.m. Wednesday, October 11, 1967 in a local hospital after a lengthy illness.  The deceased was a native of Blanchard, Michigan, but moved with the Tremone Lumber Company to Winnfield 65 years ago. For the past several years he was employed as bookkeeper for a local wholesale grocery.

Mr. Russell was an active member of the First Methodist Church where he served on the board of stewards for many years. He had taught Sunday School classes, all ages ranging from 6 to 60 years.

Funeral services were conducted in First Methodist Church with Rev. Richard Walton russell 2officiating, assisted by Rev. R. H. Staples and Rev. Edgar Dufrense. Survivors include three sons, J. G. Russell, Jr., of Winnfield, Lawrence Russell of Alexandria, and Donald Russell of Bossier City; three daughters, Mrs. Max Allen of Winnfield, Mrs. Clyde Corley, Bastrop, and Mrs. Charles Dark of Cleveland, Texas; 10 grandchildren and 13 great grandchildren.[i]

Clara Ella Gibson Russell was born Feb 22, 1886.  She died Dec 6, 1954 (aged 68).  She is buried in Winnfield Cemetery.[ii] Rusty and Ellen Russell are James and Clara’s grandchildren.

All of the windows are beautiful, but this is window is one of my favorites.  It is the most visible window to me from the pulpit while being hidden from many of you in the pews.  It’s simple image of the cross is a reminder to me to always center what I do and say on Jesus and what he has done for us.

As many of you know, I was not raised a Methodist.  I did not set foot in a Methodist church until I was in college. When I was deciding if I wanted to be a Methodist and was called to be a United Methodist pastor, a man named Dan Solomon was the Bishop in Louisiana from 1996-2000.  I met with Bishop Solomon in his office in Baton Rouge and we had an honest and fruitful conversation.  It is one of the reasons I am standing here this morning.

Bishop Solomon was an excellent preacher and many of the times I heard him speak, he reminded his listeners to “keep the main thing, the main thing.”  The Russel window is a constant reminder to me to keep Jesus and the cross the main thing in my life and preaching, that, like the arched theme and cross, I might point others to Jesus.

The lone sheep window in the stairwell near the Sanctuary in honor of James’ son, Jim.  This window was made by Betty Lawson’s sister and was given by the church and the community in October of 1993 for Jim’s 80th birthday.  The Russell windows reminds us of their faith, to keep the main thing the main thing, and to point others to Jesus.

B.Good Shepherd Window

IMG_2768Window Number Ten, lighted throughout the night, depicts Christ as the good shepherd. Recalling the beautiful passages of Psalms 23, we see the depth of Christ’s words, “I am the good shepherd. The good shepherd lays clown his life for the sheep.” (John 10:11). The life of service that Jesus lived and his sacrificial death have inspired the figure of a stalwart young man carrying a lamb.  On the walls of the catacombs of Rome where the early Christians went to escape the Roman soldiers. there is found over 150 times the picture of the shepherd, reminding the faithful scattered sheep of their Good Shepherd whose care was unfailing at all times.

The good shepherd window is in memory of Mr. and Mrs. N.M. Jackson.  Napoleon M. Jackson was born Feb 16, 1870 in Ruston.  He died Jun 4 ,1939 (aged 69) in Winnfield.  He is buried in the Winnfield Cemetery.

His obituary reads: N. M. Jackson, 69, prominent citizen of Winnfield, died suddenly img_1773.jpegSunday morning at about 4:30 as he was about his usual task of caring for his dairy cows. His grandson, Harold DeBray, who assists him during vacation time, seeing milk flowing down the hallway of the barn, went to see the cause and found Mr. Jackson dead.

Mr. and Mrs. Jackson moved to Winnfield in November, 1909, coming from the old Jackson farm near Ruston, where Mr. Jackson was born and reared. Here they reared and educated their family, taking an active part in the religious and civic life of the community.  Mr. Jackson had been a member of the Methodist Church since a youth and had been a member of the Woodmen of the World for many years.

Last rites were conducted from the Methodist Church Monday morning with the pastor, Rev. G. A Morgan, officiating. He was assisted by the Rev. Alwin Stokes, pastor of the First Presbyterian Church, and Rev. W. T. Strain, Baptist minister of Simsboro.  The floral offering, coming from friends throughout the state, was one of the largest ever witnessed in Winnfield, attesting to the esteem in which the family is held.  Published in The Winn Parish Enterprise (Winnfield, LA), June 8, 1939[iii]

Ella McIntosh Jackson was born Mar 23, 1874 in Waxahachie, Texas.  She died Nov 25, 1960 at the age of 86 in Winnfield.

img_1766.jpegHer obituary reads:  Mrs. N. M. Jackson, 86, died at a local hospital early Friday morning, November 25, 1960. She had been in failing health for the past two years.  Last rites were conducted at the First Methodist Church with the pastor, Rev. R. H. Staples, officiating. He was assisted by Dr. W. L. Holcomb of the First Baptist Church and by Rev. P. M. Carraway of Shreveport, former pastor of Winnfield. Burial was in the Winnfield Cemetery under direction of Southern Funeral Home.

The deceased was the former Miss Ella Olyce McIntosh, born in Waxahachie, Texas, on

IMG_6556

Mr. and Mrs. N.M. Jackson

March 27, 1874. She was active in the religious and civic life of Winnfield and took a leading part in various clubs and groups. Mrs. Jackson was a charter member of the Methodist WSCS and served as its president for four years. She was also a charter member of the Readers Review Club, the Garden Club, and Methodist Orphanage Society, of which she served as president many years. Other organizations of which she was a charter member included the P. T. A., and the Delphians.

Mr and Mrs Jackson had six children.  They are the grandparents of John Glen Jackson and great grandparents of Jan Shell Beville and Fran Shell Walton.  Published in The Winn Parish Enterprise News-American Winnfield, LA), December 1, 1960[iv]

The most represented image in catacomb art is of Christ as the Good Shepherd. In the ancient world sheep provided wool, milk, cheese and meat and the shepherd of the sheep was the person who led the sheep to good pastures, risked his life to protect them from wild animals, gave help to the sheep who were injured, kept an accurate account of them, looked for those who were lost and made sure they were safe at night

The kings of Israel were expected by God to be shepherds of His people (II Samuel 5:2) and the New Testament word for “pastor” from the Latin pastorem literally means “shepherd.  The sculptures and images are meant to evoke passages in Scripture about Christ as the shepherd who goes after the lost sheep, finds it and brings it home as well as the shepherd who protects, pastures and lays down his life for his flock:

In John 10:11-15 Jesus says 11 “I am the good shepherd. The good shepherd lays down his life for the sheep. 12 The hired hand, who is not the shepherd and does not own the sheep, sees the wolf coming and leaves the sheep and runs away—and the wolf snatches them and scatters them. 13 The hired hand runs away because a hired hand does not care for the sheep. 14 I am the good shepherd. I know my own and my own know me, 15 just as the Father knows me and I know the Father. And I lay down my life for the sheep.  The early Christians used the Biblical metaphor of the Good Shepherd to show the redeeming work of Christ and of His care for believers—Jew AND Gentile.[v]

If you are like most people today, chances are you do not know any shepherds. Think about their job. First, to better understand the purpose of a shepherd during the times of Jesus, it is helpful to realize that sheep are utterly defenseless and totally dependent upon the shepherd. Sheep are always subject to danger and must always be under the watchful eye of the shepherd as they graze. Rushing walls of water down the valleys from sudden, heavy rainfalls may sweep them away, robbers may steal them, and wolves may attack the flock. David tells how he killed a lion and a bear while defending his father’s flock as a shepherd boy (1 Samuel 17:36). Driving snow in winter, blinding dust and burning sands in summer, long, lonely hours each day—all these the shepherd patiently endures for the welfare of the flock. In fact, shepherds were frequently subjected to grave danger, sometimes even giving their lives to protect their sheep.[vi]

A shepherd tended his flock day and night. He would gather the sheep into a sheepfold at night for their protection. The sheepfold was a pen, a cave, or an area backed by stone walls. Since there were no doors, the shepherd would often sleep or sit in the opening, ready to guard his sheep from harm.

The good shepherd was different than a hired hand who might run away in the face of danger.  The good shepherd would stay and defend them. He had a genuine loving concern for what belonged to him. In chapter 10, Jesus illustrates how the shepherd cares for his flock, protecting them from weather, thieves, and predatory animals. He loved and shielded them and if necessary, he would lay down his life for them. [vii]

A shepherd knows his sheep well. There is a personal relationship between Jesus and his followers. Jesus knows each of us by name. On the other hand, we respond to his voice and do not follow the voice of strangers who may lead us to harm.  When Jesus gave Peter the responsibility of leading his Church, he again used shepherd imagery. He told Peter, “Feed my lambs. . . . Tend my sheep. . . . Feed my sheep” (John 21:15-17).  The image of shepherds is that they are kind, loving, patient, strong, and self-sacrificing. They are a good image for Jesus. And sheep, who can be rather stupid and foolish creatures, are a good symbol for us![viii]  The good shepherd window reminds us that Jesus is the good shepherd who laid down his life for us.

III. Conclusion

We love our stained glass windows and we should.  But what do people see in us?  Does the light of Christ shine through us?  The balcony cross reminds us of the Russell family and to keep Jesus the main thing.  The good Shepherd window reminds us of the Jackson family and that Jesus is the good shepherd who lays down his life for us.  The question is will we allow the light of God to shine through us as brightly as it does these windows?

[i] https://www.findagrave.com/memorial/58955130/james-g.-russell

[ii] https://www.findagrave.com/memorial/27341643/clara-ella-russell

[iii] https://www.findagrave.com/memorial/54395312/napoleon-m.-jackson

[iv] https://www.findagrave.com/memorial/54395075/ella-jackson

[v] https://earlychurchhistory.org/christian-symbols/symbol-of-christ-as-good-shepherd/

[vi] https://www.gotquestions.org/Good-Shepherd.html

[vii] https://www.allaboutjesuschrist.org/jesus-the-good-shepherd.htm

[viii] https://www.loyolapress.com/our-catholic-faith/scripture-and-tradition/jesus-and-the-new-testament/who-do-you-say-that-i-am-names-for-jesus/the-good-shepherd

Hyde Window: Cross and Vines/Dove and Light/Bible and Lily

IMG_2310(Author’s note:  This is the manuscript for my message on June 10, 2018 at FUMC Winnfield and is the second in my “Windows to the Soul” sermon series expounding on the Christian symbolism present in our church buildings and sanctuary windows at FUMC Winnfield.  I tried to include my sources but my end notes did not transfer well.  You’ll find the sources listed at the end. Much of this information is from “FUMC Winnfield: Christian Symbolism and History” published in 2012. I decided to publish in case some were absent and would like to read my message.)

I. Introduction
Stained Glass Window by Clay Crosse (1987)  That song “Stained Glass” by Contemporary Christian musician Clay Crosse was released in the summer of 1997. The final verse of the song says: There’s a stained glass window, in the soul of man, A pattern of perfection, that was made with Holy hands With the light of Heaven, pouring through each pane Truth in all its splendor, is revealed and will remain Truth in all its splendor, is revealed and will remain [1]

So it is with the stained glass windows in our sanctuary. They reveal God’s truth to us. “The WINDOWS within the sanctuary are, beginning on the left as we face the altar, windows one through three. On the right are windows four through eight, and behind us above the balcony is window number nine. Above the entrance to the educational IMG_2289.jpgbuilding is window number ten, the lovely portrait of Jesus, the Good Shepherd.
The windows are beautiful memorials to the Christian faith. Within the sanctuary we find that windows one through eight repeat the Latin cross in the upper half. The red circle behind the cross is a symbol of eternity. The bright colors are not only lovely to behold; they, too, have religious significance. Red depicts divine zeal on the day of Pentecost and refers to the blood of martyrs of the church. Green is the universal color of nature, signifying hope; gold refers to worth, virtue, the glory of God, and the Christian might. White is the symbol of the Creator”, light, joy, purity, innocence, glory, and perfection. Violet denotes mourning and penitence, humility, suffering, sympathy, and fasting. Purple is the regal color referring to the triumphal entry of the King of Kings, who was of royal (Davidic) descent, and who is the ruler of many hearts. Purple also represents penitence, referring to the purple garments put on our Lord when they mocked him (John 19:2; Mark 15:17). These colors change, varying with the light filtering through them. During the day they have a brilliant effervescence; at night, they acquire deeper, muted tones.”

Today we will examine Window Number One (Cross and Vines/Dove and Light/Bible and Lily) in Honor of Mr. and Mrs. J.M Hyde. James M Hyde came to FUMC in 1902 by Certificate of Transfer, died 2/23/55 while Luther L Booth was Pastor. According to the obituary, James, Son of the late Henry Hyde and Callie Harper Hyde of Grant Parish, Mr. Hyde came to Winnfield in 1902 to manage the M. M. Fisher Dry Goods Co., and later the Grand Leader, large mercantile firms. Shortly afterward he entered the mercantile business for himself and remained in that business until about 1935 when he retired and looked after his real estate and finance interests.

Mr. Hyde was a veteran steward in the First Methodist Church and had held every office that could be held by a layman at some time during his life. He had also been active in civic affairs, serving as a member of the Winn Parish School Board and the Winnfield board of aldermen at various times. He was a member of the Knights of Pythias.

Mrs James M Hyde came to FUMC 3/16/19, died 8/31/1958 while Rev. RH Staples was Pastor. The obituary states that she was the former Miss Addie Scarborough, native of Natchitoches, and a member of a prominent Central Louisiana family. Mrs. Hyde had been a resident of Winnfield since 1902 and a long time member of the First Methodist Church. They were survived by two children Mrs. Tracy Harrell, of Winnfield; one son, James Hyde of Natchitoches. Their daughter, Vermell, was the pianist and organist at FUMC for several years. They were the grandparents of Tracy Lee Harrel. The Hyde’s and their family have passed a great tradition of faithfulness to us, as well as a wonderful gift in their beautiful window.

II. Body
A. Cross and Vines

IMG_2305“The Latin cross is the most commonly seen cross. This is the form on which it is said our Lord was crucified. Protestants usually display it as being empty, without the body of Christ, representing Him as the risen and living Christ. The vine is referred to by Christ in John 15:5, ‘I am the vine, you are the branches.’”

The Vine Cross refers to John 15:1-2 “I am the true vine, and my Father is the vinegrower. 2 He removes every branch in me that bears no fruit. Every branch that bears fruit he prunes to make it bear more fruit.” Jesus calls himself the vine, and Christians are the branches of that vine. Even those of us without ‘green fingers’ know that it’s the branches that bear fruit. Jesus (the vine) mediates between God and man.

And we also know that fruit will grow if, and only if, the vine has roots which can deliver moisture from a rich soil. In our analogy, the root of the vine resembles the Holy Spirit. The root is unseen, but we know it’s there because the plant flourishes and bears fruit.
If we imagine God having a gardening role, nourishing the vine, then if a branch bears no fruit, the gardener cuts it away. It is good for nothing except to be consumed by the bonfire. However, if the branch bears fruit then the fruit is harvested and as a result, the branch is in a stronger state to produce yet more fruit.

There are many branches yet we all share the same vine and the same root. And the same Gardener tends to each branch. God loves us all, whatever our position may be. And the grapes? These are the products of our Christianity; whatever God has called us to produce. The grapes on the vine represent Christ and His disciples and the unity of the church.

B. Dove and light
IMG_2308The Dove is the symbol of the Holy Spirit. In all four gospels it is recorded that the Holy Spirit came as a dove from Heaven, making it the most widely recognized symbol of the Spirit. The dove has long been a symbol of peace but the dove has great symbolism in the Bible too. It is mentioned 46 times in Scripture. In addition to its symbolism for the Holy Spirit, the dove was a popular Christian symbol before the cross rose to prominence in the fourth century.

The New Testament is not the only place we see a dove depicted. In Genesis 8:8-12, after the ark has landed on the mountains of Ararat, Noah sends out a dove three times to see how far the flood waters have receded. The first time it found nothing and returned to the ark. The second time it brought back an olive leaf, so Noah could see that God’s punishment was over and life had begun again on the earth. (The image of a dove holding an olive branch continues to be a symbol of peace to this day.) The third time, the dove did not return, and Noah knew that it was safe to leave the ark

Dove imagery is also utilized in several of the prophetic books of the Hebrew Bible. The low, cooing sound of a dove served as mournful imagery to evoke the suffering of the people of Judah (see Isaiah 38:14, 59:11; 11 We all growl like bears; we moan mournfully like doves. We look for justice, but find none; for deliverance, but it is far away.) But doves were more than just a soundtrack for a people who had fallen away from God; they were also an instrument of atonement. Several passages of the Torah (especially Leviticus) specify occasions that require the sacrifice of two doves (or young pigeons)—either as a guilt offering or to purify oneself after a period of ritual impurity (including the birth of a child). Several columbaria, or dovecotes, have been excavated in the City of David and the Jerusalem environs (by crawford). These towers were undoubtedly used to raise doves for sacrificial offerings, as well as for the meat and fertilizer they provided—a popular practice in the Hellenistic and Roman periods that continued into the modern period.

Thus, by the time of Jesus, the dove was already rich with symbolism and many interpretations—as a representation of Israel, atoning sacrifice, suffering, a sign from God, fertility and the spirit of God. All these meanings and more were incorporated into the Christian use of dove iconography. Doves appear in the New Testament at scenes associated with Jesus’ birth, baptism and just before his death. The Gospel of Luke says that Mary and Joseph sacrificed two doves at the Temple following the birth of Jesus, as was prescribed in the law mentioned above (Luke 2:24). Yet in the Gospel of John, Jesus angrily drives out all of the merchants from the Temple, including “those who sold doves” to worshipers there (John 2:16).

But perhaps the most familiar dove imagery from the New Testament is recounted in all four of the Gospels (though in varying forms) at the baptism of Jesus by John the Baptist in the Jordan River. After Jesus came up out of the water, the [Holy] Spirit [of God] came from heaven and descended on him “like a dove” (see Matthew 3:16; Mark 1:10; Luke 3:22; John 1:32). The baptism story built on the pre-existing symbol of the dove as God’s spirit (and its many other meanings) and firmly entrenched it as the preferred representation of the Holy Spirit. The dove represents the Holy Spirit that also indwells every believer after they have repented and trusted in Christ, as well as how God has moved throughout history. The Light is a symbol of God, the Creator.

C. Bible and Lily
IMG_2309“The open book often pictured on stained glass windows in the church refers to the Holy Bible. the word of God. The book shown open indicates that the Bible is accessible throughout most of the world in over 1,000 tongues. The Easter Lily, a symbol of purity, is a common symbol of Easter and blooms at that time of the year.” We will look more closely at the symbolism of the Easter Lily in the Dickerson window, so this morning I’m going to focus on the Bible.

The Protestant Bible is 66 books. The Catholic Bible is 73 books since it includes the Apocrypha (hidden books). The Bible was written over thousands of years and by many different authors in Hebrew, Aramaic, and Greek. It was not until the 5th century that all the different Christian churches came to a basic agreement on Biblical canon. During the Protestant Reformation in the 16th century, books not originally written in Hebrew but Greek, such as Judith and Maccabees, were excluded from the Old Testament. These are known as the Apocrypha and are still included in the Catholic Bible. Today there are more than six billion Bibles are in circulation around the world, printed in 484 languages. As the reach of the Bible has spread, Christianity has grown with it. Today, there are more than 2.18 billion Christians in the world studying the Word of God.

III. Conclusion

People are a lot like glass. Glass can reflect, like a mirror, or transmit light. Our windows are at their most beautiful when they permit the light to flow through them. The light also shows the flaws and quality of the glass. Like glass, we need to have the light of God shining through us. Like glass, we can merely reflect, or transmit light. Jesus offers inner light to those who accept him. He is the light of the world according to John 1. We can accept the light, or reject it. If we believe, that inner light becomes ours.
We love our stained glass windows and we should. But what do people see in us? Does the light of Christ shine through? The Hyde window reminds us of their faith and generosity. The cross and vine remind us to stay connected to Jesus and what he has done for us. The Dove and light reminds us of the Holy Spirit and Jesus, the light of the world. The Bible and Lily remind us of the good news that we are called to share. The question is will we allow the light of God to shine through us as brightly as it does these windows?

https://www.findagrave.com/memorial/47661001/james-milton-hyde
https://www.findagrave.com/memorial/47664543/addie-hyde
http://www.seiyaku.com/customs/crosses/vine.html
https://www.biblicalarchaeology.org/daily/ancient-cultures/daily-life-and-practice/the-enduring-symbolism-of-doves/
http://www.patheos.com/blogs/christiancrier/2015/07/13/what-does-a-dove-mean-or-represent-in-the-bible/
https://www.history.com/topics/bible
https://blog.mychristiancare.org/the-history-of-the-bible-and-christianitys-global-influence

Surrounded by Symbols- Joshua 3:14-4:8

Picture1(Author’s note: This is the complete manuscript and powerpoint pictures for my message at FUMC Winnfield on June 3.  This is message #1 of my sermon series “Windows to the Soul” about the church building and stained glass windows at FUMC Winnfield.  Much of this information is from “FUMC Winnfield: Christian Symbolism and History” published in 2012.  I decided to publish in case some were absent and would like to read my message.)

Introduction
It was bound to happen. God knew it. Joshua knew it. Someday, a child playing along the banks of the River Jordan would stub their toes on a pile of weather-beaten, sun-bleached rocks and ask, “Daddy, why these stones?” After forty years of wandering in the wilderness, feeding on manna and worshiping in a tent, Moses brought the people to the Jordan River, carrying the bones of Joseph with him. They came just within sight of the Promised Land, and Moses passed the torch of leadership to Joshua. When the people were ready for the final crossing, God told Joshua to pick up twelve stones, carry them over and pile them up on the other side, “And when your children ask in time to come, ‘What do these stones mean to you?’…then, ah then, you shall tell them what the Lord has done for you.” These stones became symbols of what God has done and point us to God.

Likewise, every time we walk into this church and into this Sanctuary we are surrounded by symbols that are designed to point us to God. Like the simple stones in Joshua, they can be easily overlooked unless we are paying attention. This Summer, I will be preaching about the symbols of God that are all around us in our own building. My main source is this little book from 2012 that describes the symbolism in our building and in our windows, though I also plan to dig a little more in depth than this book does, to think about what these symbols mean and why they are important. Like stones on the side of a river, I hope it will open your eyes to God all around us. What does it mean to be surrounded by symbols?
II. Body
1. Symbols look back and witness to what God has done.

The stones in Joshua are a witness to God’s deliverance and salvation, a memorial to God’s gracious care, a reminder of God’s steadfast love. Our buildings are a reminder of what God has done for us. We pile up stones and bricks as a witness to God’s great love in Jesus Christ so that our children and all the people in our town will know of God’s redemption.

And every time we gather in this space, Every time we baptize a baby or break the bread together, Every time we share the cup of grape juice or a cup of coffee, Every time we receive an offering or fill a bag for the food pantry, we do it as a way to remember and give thanks for all God has done for us.

When you see the stones of this church’s ministry, how can we help but give thanks to God? When your children ask, “Why these stones?”, “Why does church matter?” tell them what God has done. Why these stones? They look back and witness to what God has done in the past,

2. These symbols look forward to what God will do in the future.
The main verb in this passage is the Hebrew word abar “cross over.” It is used 21 times in Joshua. Commentator John Hamlin says: The word emphasizes the decisive nature of this moment in the history of the Hebrew people—the link between the past and the future. “Why these stones?” They mark the point of “crossing over,” the movement of the people of God from the past into the future.

It’s not enough for the people of God to look back in memory. The Church is not a historical society, even though our history is vitally important. We cannot live on the past—preserving old buildings for their own sake, hanging on to old patterns and practices for their own sake, unwilling to risk new ways of being a church. The calling of God always lays out there somewhere ahead of us in the unknown future, and we are called to “cross over.”

During a stay in England some years ago, a pastor visited a wonderful village church dating back over 500 years…a lovely sanctuary with a high vaulted nave and glorious stained glass. To the eyes of a first-time American tourist, it was a mini-cathedral. He complimented the priest on the beauty of the place and the excellent condition of the ancient building, and his response was, “Oh, we Anglicans know how to care for old buildings.” But on Sunday, the beautiful building was silent and empty! What good is taking care of old buildings, piling up old stones, remembering what God has done in the past, if we aren’t connecting with people today and claiming the future for Jesus Christ?

The stones look back and give thanks, but the stones call us to “cross over:”
Earlier in the service we sang an old American gospel hymn, “Come, Thou Fount of Every Blessing.” The second verse says, “Here I raise my Ebenezer, my pile of stones, my signpost along the way.”  As a child, I always wondered what Ebenezer Scrooge had to do with the hymn. It has to do with placing a sign to remember that “Hither by thy help I’ve come.” It is to say, “I’m marking the path right here, right now. I’ve come this far by the grace of God, and I have confidence to trust him for the future.”

The pile of stones on the riverbank symbolized the forward movement of the people on the journey of faith. The very act of piling them up affirms confidence in the hope that there will, in fact, be another generation of children to ask the question. They piled up the stones as a bold act of faith, a witness of hope in God’s promised land. These stones witness to God’s calling to cross over and discover the land God has prepared for us.

3. There are symbols surrounding us

The word “Symbol” is derived from two Greek words, “sym,” meaning together, and “ballein,” meaning to throw. A symbol “throws together” the known and the unknown, throwing our thinking beyond the symbol itself. Symbols speak their own language, and the understanding of the beholder measures the impact of their message. The Christian church since its beginning has had a multitude of symbols to help persons experience the deepest meaning of the Christian faith.

Symbolism in the church reached its height in the Middle Ages and was used for the purpose of education. Books were very expensive and scarce at that time, and few people could read, so medieval artists and craftsmen made every church edifice a great, glowing picture book of church history and church doctrine. By means of symbols skillfully wrought into stone, wood. painted glass, metal, canvas, tapestries and needlework, great truths met the eye in every direction and proclaimed their spiritual messages to the assembled worshippers. Worshipers could look at these symbols and receive a spiritual message from them. The parts of the church, as well as the church building itself, are symbolic.

IMG_2317The CHURCH BELLS convey an inner meaning, calling worshipers to come and give the worship and adoration that are due God. The STEEPLE or spire, pointing toward the blue of Heaven, is a silent witness to the one true God whom the people come to worship in the church. Our steeple culminates in the cross at the top, signifying that God loves the world and is reconciling the world unto Himself through the worship, meditation, prayers, and hymns of the people in the church below.

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The CHURCH DOOR may remind one of Jesus, who said, “I am the door.” In our prayers we approach the Creator “through Jesus Christ our Lord.” When a door IS open, it welcomes everyone, bidding all to advance into the church to worship, learn and serve. The ARCHES above the doors and windows have significance. Since the arches join together the pillars and walls of the church, they are reminders of Jesus Christ and the sacraments by which God and man are joined together. The arch is also said to be Symbolic of the love of God and the hospitality of the Christian faith.The STEPS signify the Christian pilgrimage, or the pathway of the Christian who seeks to worship God and to learn his ways.

IMG_2323The NARTHEX, or vestibule, is entered by the main entrance stretching across the entire end of the church and prepares the worshiper for entering the sanctuary, separating him from the hustle and bustle of the material world, readying him for the quiet of the House of Worship. The NAVE is from the Latin word “navis”, which means ship. The earliest symbolism IMG_2337associated with the church is that of a Ship. It returns us to the ark, and the church in comparison is the “ark of safety.” It was natural that the early church buildings were in the form of a ship. So today the nave is the central division of the church in which the congregation is seated.

The AISLE is the way that leads to the Throne of God. As IMG_2324we approach the altar, we find at intervals ascending levels and steps leading upward until they reach the altar. We note that the carpet is somewhat worn, reminding us of the many persons who have walked this way —- young couples taking their marriage vows, members of the church family who have

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professed their faith or who have come to partake of the elements which are the symbolic body and blood of the Christ, funeral processions completing the cycle of life on earth. The PEWS are long seats with a back but without divisions. On the end of the pews in our church are two symbols: the wheat representing Holy Communion, “the bread of life,” and the cluster of grapes, also for Holy Communion. The LIGHT FIXTURES overhead have the quatrefoil symbol, a decorative feature in the shape of a leaf with four foils or lobes, each bearing the symbol of one of the four Gospels- Matthew, Mark. Luke, and John. The trefoil in the chain is for the trinity.

IMG_2329The BAPTISMAL FONT, Latin for “fountain,” is an octagonal receptacle of wood which stands on a pedestal and contains the water for baptism—outward sign of inner change. The cover of the font is crowned with the Cross Pate’e which if formed by four spearheads touching at the center. The eight outer points symbolize the eight Beatitudes and the regeneration of man. The PULPIT, Latin for “raised platform,” is used in delivering sermons. The LECTERN, the desk which stands opposite the pulpit, is usually smaller than the pulpit and used for reading the scripture.

The ALTAR, most important furnishing of the church, is a table placed in the Sanctuary IMG_2334facing the congregation. It may be against the wall or free-standing. At the altar the Holy Communion is consecrated and administered and worship is conducted. Here the hangings, blue cross above the altar, the altar cross, and candles are placed.  The HANGINGS, or frontals, are of fine cloth hung on the front of the altar, pulpit and lectern, depicting the divisions of the church year by their color.

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Green for the seasons after Epipany and Pentecost. Purple for Lent and Advent. Red for Pentecost. White for Christmas, Easter, and Trinity Sunday. The cross in lights above the altar is the popular Latin style most used of all symbols representative of Jesus’ crucifixion. The ALTAR CROSS is Latin style and stands on three steps, signifying faith, hope, and charity (love). The CANDLES signify Jesus Christ, his human and divine nature when two are used as we see on our altar. Three refer to the trinity. Worshippers should enter the sanctuary in reverence responding to the purpose of its furnishings.

III. Conclusion

There are symbols of God surrounding us. They look back to what God has done. They look forward to what God will do. They remind us of God and all that have gone before us. When you notice these symbols in our church and in our sanctuary, may they remind you of the God who surrounds us and what God has done for us.